In part 2 of this 3 part look at Blackmagic raw, we’re pitting BRAW against the longstanding Industry standard and widely accepted and requested ProResHQ.

Does shooting raw really make THAT much of a difference? What about when matching different Blackmagic Design cameras? Or when the white balance is way off the mark? In this video we look at ProResHQ and BRAW footage shot on the Ursa Mini Pro G2 and the Blackmagic Pocket Cinema Camera 6k and see how each codec fares trying the bring them into line fast and the additional workflow flexibility that BRAW provides. But ProResHQ has been an industry staple for a long time for a reason…