Why we left RED cinema cameras for the BMD Ursa Mini Pro G2 and the BMPCC 6k

THE URSA MINI PRO G2 & THE BMPCC 6K WHY WE LEFT RED FOR BLACKMAGIC DESIGN CINEMA CAMERAS In 2008 we purchased two JVC HD111E camcorders for around $14,500 AUD. They shot 1280x720p video at around 20mbps... on DV tape. Less than two years later we sold one of them for $2500 and purchased a 5D Mark II - a revolutionary full frame DSLR capable of 1080p video recording at approx 38mbps data rate. At the end of 2012 we picked up a barely [...]

BMPCC 6k – 10 Reasons Why a RED shooter changed his mind (and bought one)

THE BLACKMAGIC POCKET CINEMA CAMERA 6K 10 REASONS WHY WE CHANGED OUR MIND (AND BOUGHT ONE) Resident Documentary shooter and Narrative Director Dean Butler explains why and how he changed his mind and purchased the BMPCC 6k.

What does a Red Scarlet-W owner think of the Blackmagic Pocket Cinema Camera 6K???

THE BLACKMAGIC POCKET CINEMA CAMERA 6k DEAN SHARE'S HIS THOUGHTS (AS A RED SCARLET-W SHOOTER) https://www.youtube.com/watch?v=YtjYFHb9XZg&t=590s I didn't see this coming and I'm not going to lie, these specs at this price is OUTSTANDING VALUE! I share my honest thoughts on this development as someone who shoots on and has invested in a far more expensive camera system - the Red Scarlet-w (when I'm not hiring something else).

St John Ambulance: VR First Aid Skills Launch Video

ST JOHN AMBULANCE WA VR First Aid Skills Launch Video It was great to be a part of the launch for St John Ambulance's revolutionary VR and App First Aid Skills experience. Tasked with producing a video that would highlight what the product offered as well as introducing it to the public, we collaborated with the team at St John to come up with a concept in which the talent would be shown to interact in the real world and the virtual world. To achieve [...]

Sarah Avalia: Through With You – music clip

SARAH AVALIA THROUGH WITH YOU MUSIC VIDEO Directed, shot, cut and graded by Dean Butler. "Because this was a one-man-band shoot I opted for the C200 for gimbal shots (when the budget allowed - there's a few gh5 shots by the wheat field) due to the outstanding dual pixel autofocus and the superb image quality when shooting raw. Shooting on F1.2 on a 50mm prime on a gimbal and holding focus was a revelation... Combining Canon with Red footage - it's like [...]